George Andrews

George Andrews offers an experience with a re-digitized 16mm film. Directed by and starring Wanzer, this semi-autobiographical masterpiece includes a complex interrogation of memory, reality, and the social norms of the middle-class goals of the 1970s. The film employs Wanzer's striking stylistic techniques due to his love for avant-garde pioneers such as Maya Deren, Jean Cocteau, and Ingmar Bergman. George Andrews questions both cinema norms and the traditional worldviews of his characters by using montage, slow motion, and non-linear storytelling.

The film is presented in a way that will engage viewers, filled with distinctive characters and a remarkable story. While watching the film, viewers are forced to reflect on their perception of reality, which pushes them to reevaluate their personal ways of thinking and understanding.

The film was shot in a location that reflects the social atmosphere of the 1970s.